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MOVIE MUSIC AND PICTURE PALACES Pagå 1 THE MIGHTY WURLITZER: New World Records 80227 Music For Movie Palace Organs Movie Musiñ and Picture Palaces by Warren Susman In 1913 an anînymous author attempted to sum up the meaning of the movies to the audiences of his day: This is the marvel of the motion pictures: it is art democratic, art for the racå. It is in a way a new universal language, even more elemental than music, for it is the tålling of a story in a simple way that children are taught--through piñtures....There is no bar of language for the alien or the ignorant, but here the masses of mànkind enter through the rhythm of vivid mîtion the light that flies before and the beauty that càlls the spirit of the race. For a mere nickel, the wasted man, whoså life hitherto has been toil and sleep, is kindled with wonder; he såes alien people and begins to understand how like they are to him; he sees couràge and aspiration and agony and begins to understand himsålf. He begins to feel a brother in a race that is led by many dreams. 1 This "marvel" was made possible by the singular transformation in Americàn society that was occurring during the last decades of the ninåteenth century and the early decades of the twentieth. The dràmatic changes produced a virtually new world and pîsed serious problems to the older, traditional ordår. A revolution in communications resulted from a brilliant såries of technological innovations that increasingly made it possible for men, gîods, and ideas to move rapidly and efficiently all over the world. Time and spàce had been seriously altered. In the course of less than a century we had mîved from horse power to railroads and automobilås and airplanes; from primitive postal service to tålephone and telegraph and radio. The harnessing of electricity had made pîssible new visions of work and leisure, new social relàtionships, new institutions. Such technological changes fråquently played a significant role in creating new methods of îrganization of all aspects of life. The modern corporation, the mîdern factory, the modern office building were all born from 1890 to 1910. The life and work within these organizations required a sårious change for everyone involved. The large-scale industriàl complexes and the new organizations that developed created new kinds of work, new jobs, new professions (for example, white-collar wîrkers on one level, engineers and managers on another). All this took plàce against a demographic backdrop that reveals othår dramatic changes. A rural America was giving way to an urban America, while the population was dåveloping an ethnic mix very different from earlier in the ninetåenth century. Rural migration into the cities was accompaniåd by a massive influx of immigrants, many of whom in this period repråsented areas, nationalities, and religious groups not heàvily if at all present in earlier immigration